Correcting for asymmetry.

No face is symmetrical. The artist's job is not to force symmetry — it is to compose the illusion of it.

In this lesson we move past the textbook map into the real chair: the client whose left brow sits 4mm higher than the right, the client whose orbital bone slopes, the client whose previous artist over-thinned one side.

The correction is never on the brow itself. It's in how the eye reads the face beneath it.

What you'll learn in this lesson

• ✦The three asymmetry archetypes (and how to spot each in 8 seconds)
• ✦When to correct vs. when to honor the client’s natural line
• ✦The "anchor brow" technique
• ✦Live correction on three real clients

Lesson materials